Reflection on Tikkun Olam (16:12) 


    “Suite for Mother and Child” began as a made-up-on-the-spot name for a collection of piano pieces of mine and ended taking on a life of its own, developing around two incidents involving friends of friends of mine, one of urban violence and one of domestic violence, ending the lives of two precious, vibrant and beloved young women. If an aura of sadness pervades this collected work, it is no accident. If beauty and joy shine through, it is deliberate, and a testament to these gentle souls, Haruka and Jessica, that graced the lives of their families and communities.

    Of “Jessica” I wrote of this on the 31st of December, 2012:
    This piece came to me the day after Christmas, 2000. I had taken a telephone message, and I misremembered a name as Jennifer as I was noodling on the piano. Somehow, Jennifer became the name of the song.
    “The original ending was conventionally consonant, not containing that bitter-sweet triplet figure in the soprano voice. I wondered why it came to me and wanted to stay, then I heard that the notes were singing “Jennifer” and finally knew why it had named itself.
    “When I heard of Jessie’s death, I cannot say why that song came back to me. After all, her name, I first heard, was Jessica. Then I read that her full name was Jennifer. Jessica. Jean. Kingeter.”
    If what you hear does not sound quite homogeneous, it is because I edited computer-generated music files with recordings of live and studio performances. That is the reason for some small inconsistencies and, in places, a rather mechanical sound. I trust you will forgive the incongruences, and and recognize the spirit of the work.
    Just one other thing. I have, as yet, been unable to record the songs with lyrics, so you will hear instrumentals in their place. The lyrics will, though, give a better sense of the narrative.

    “Jennifer” (Instrumental) “Cat's Play”

    “Lullaby Triptych”:

    “As I Watch You Sleeping” (First Part of “Lullaby Triptych”)

    As I watch you sleeping in my arms,
    Faerie dust and moonbeams all around us.

    As I watch you dreaming in my arms,
    Quietness and peacefulness surround us.

    Lullaby, sweetness, lullaby;
    I’ll not let the darkness harm you,
    Only light will touch your face.

    Lullaby, sweetness, lullaby;
    I could watch you dream forever,
    Knowing you will wake to me.

    Ev’ry time I look at you I see myself,
    All my fears revealed.
    Ev’ry time I look inside I see you there
    And my soul is healed.

    As I watch you sleeping,
    As I watch you dreaming in my arms …

    “Music Box” (Instrumental)

    “Lullaby for Tiffany” (Conclusion of “Lullaby Triptych”)

    Sleep, little one, sleep, my darling
    Floating upon the gentle stream.
    Through the forest, cool and green,
    Sleep, my darling, sleep.

    Sleep, little one, sleep, my darling
    Rising through fleecy clouds so grand,
    Gazing upon the peaceful land,
    Sleep, my darling, sleep.

    Close your pretty eyes, And before you realize
    Into a dreamland you’ll fly,Changed in the wink of an eye
    Into a fairy princess, fairy princess …

    Sleep, little one, sleep, my darling
    Resting within the hand of God,
    Safely within His warm embrace.
    Sleep, my darling sleep.

    “Jennifer” (Reprise, instrumental)

    Proceed to the Liturgy of the Eucharist 


        “God is a frequency. Stay tuned.” —Alan Cohen

    Eirana





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    All music, arrangements and text copyright © 2020 by Daniel B. Zwickel (ASCAP),
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    Proud member, Local 1000, American Federation of Musicians (when I can afford the dues.)

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