Relating Creation Spirituality to Lutheranism
Doctorial dissertation by Marilyn E. Jackson


IV. MATTHEW FOX’S WORK SINCE ORIGINAL BLESSING

Following are some of the books and themes Matthew Fox developed since writing Original Blessing. Since then he was forced out of his Catholic Order and joined the Episcopal church to continue his work as a priest still involved in creation spirituality, working to make spirituality relevant to younger generations.

Matthew Fox published The Coming of the Cosmic Christ in 1988. Spiritual cosmology is about the presence of the spiritual force manifest in all of the created world and universe. The Cosmic Christ is the reflection of the Biblical Christ expressed in all of creation. I have struggled to understand this term first introduced in Original Blessing, as I associate Christ with Jesus but will explain what I think it means. Although I think a lot of Jesus, when I first heard about it, it seemed like just another male God image to me at a time when I was exploring female images of the divine. Fox has said that Jesus did not have Jesus Christ written on his driver’s license (Fox 1989 tape of speech). Fox is expanding the concept of Christ beyond the male figure of Jesus, not to downplay Jesus’ role, but to mean the divine expression of God being revealed throughout creation. It broadens our understanding of "the Christ" to the Biblical sense of revelation or God’s will being revealed on earth. The Cosmic Christ, beyond the historical Jesus, represents the coming of God to creation in more than human form, through animals, water, trees and other plants, and planets and stars as well. It does not mean that we worship all things (pantheism), but represents the theme of pan-en-theism, that the spiritual creative force is manifest in all of its creation. Christ is the divine in every being, described in the "I am" writings in Exodus 3:14 (Fox 1988, 154). "I am the wind that breathes upon the sea, I am the wave on the ocean, I am the murmur of leaves rustling…I am the size of the mighty oak tree, And I am the thoughts of all people Who praise my beauty and grace."

Year of Silence

The ICCS program flourished and Fox became well known from speaking tours, workshops and many publications as well. He became so popular with his fresh perspectives on Christianity that the Roman Catholic hierarchy caught up with him. In response to the Dominican Order to go silent for a year, that is, no public speaking, publishing, etc., and before he complied (beginning on 12/15/88), he wrote a public letter called "Is the Catholic Church Today a Dysfunctional Family?" referring to the work of Anne Wilson Shaef and others, on dysfunctional organizations and families. It is a valid question to ask of any religious organization, as they tend to have strong leadership which emphasize their correctness over the opinions of lay people. In the past people have been more afraid to question the authority of religion. With popular psychology and other movements today, this is all being questioned and does rock the boat a bit. A book signing party for The Coming of the Cosmic Christ, which was published at the same time of the order for silencing, occurred shortly after that and in his autobiography Fox writes:

An enormous crowd of about nine hundred people packed themselves into the Skyroom there and were obviously offering moral support for my stand. The media were there also. During the question-and-answer period a large man with a long white beard strode up to the microphone, waved in the air a copy of the magazine containing my public letter, and said in a prophetic, sonorous voice, "Tell us, Dr. Fox, why this letter is not to be compared to that of Dr. Luther’s Ninety-five Thesis nailed on the church door." It was an amazing moment for me. I had never consciously made connections between what we were doing at ICCS and beyond and what Martin Luther had done. My reply was to diffuse the personality comparison as I pointed out that indeed our times were as tumultuous culture-wise and therefore religion-wise as those of Dr. Luther and we could expect some deep changes to occur in our religious loyalties and structures (Fox 1996, 171-172).

Fox filled in the year with meditation, a Native American vision quest, and pilgrimage trips to other countries, including a visit to liberation theologians in Latin America. From that experience he realized that there is a difference between liberating South and Central Americans and liberating North Americans, as the historical, sociological, religious and economic and political contexts to be liberated from are different. The addictions and demons of the north are different. The over consumption and addiction in the successful north that is oppressive are a different kind of bondage, though it is the "western" civilization that is seen as an oppressive culture to much of the rest of the world. In 1990 he published the book, Creation Spirituality: Liberating Gifts for the Peoples of the Earth, as a result of his experiences in the south and to express appreciation and solidarity for their work. Some years later, while teaching in the Philippines in the spring of 1995, he was shocked by the level of ecological devastation and its relation to the colonizing of indigenous people and others. There are frequent floods and temperatures are rising because of the destruction of the forests (1996, 200).

He revisited France and traveled to "goddess shrines, including Chartres and Reims cathedrals and others like them dedicated to the goddess Mary. Then on to Italy to visit Florence and Assisi and finally to Rome. There he felt not like a Roman Catholic as much as a 12th century French Catholic.

It was Chartres that kept me in the church; not Rome. It was the goddess, not the inquisitors fighting to keep their version of "God" enthroned on high, legitimizing their clerical privileges and lifestyle. It was panentheism and the entire mystical tradition of our saints, not theism and its tradition of crusades, pogroms, which burnings, gay burnings, and inquisitions.

…The ruins of the –re-Christian Empire are everywhere, shouting at you from every lone brick. But then there are also the ruins of the Christian era. Two churches per block seems to be the rule. Yet how many are used today other than as museums to relocate the past? And of these churches, how many depict any architectural truth other than triumphalism and egoism and defensiveness? (1996, 201-202).

The era when all roads lead to Rome has ended, he writes in his journal. Today’s martyrs are not Christian scapegoats but "ministers, women, homosexuals, third-world peoples—thrown to the lions of our church and society." Fox felt our new spiritual centers need to be not places for ecclesial bureaucracy but where the "new cosmology is being articulated and celebrated" (1996, 202).

In the final parts of this journey to goddess shrines he visited Greece and the island of Crete where he "stood next to six-thousand year old statuettes of a woman priestess leading a circle dance of worshipers—‘just like ICCS,’" he remarked. "We were involved in something very ancient, very real…a great remembering. It must not be allowed to fail; it must not be snuffed out still another time by patriarchy’s fears and power games" (1996, 204), He renewed his commitment to keep the work of ICCS going.

In the 11th month of the 12 month silencing, he received a letter from a woman who said that she left the Catholic church over its treatment of women but had returned after reading Fox’s work. Now that he was silence she felt silenced all over again. She was so upset that it had taken her those eleven months to be able to write him a letter of support (1996, 206).

However, the Roman Catholic church did not choose to defend or follow where Matthew Fox wanted to lead. Not long after the silence order ended, he was given an ultimatum to return to Chicago or be expelled from the Dominican order of priests. Synchronistically, he was writing his next book, The Reinvention of Work, when he received the official letter from his provincial informing him he was out of the order in March of 1993 (1996, 212-213). Around this time also he published a book on Thomas Aquinas and Creation Spirituality.

I recently heard an interview on National Public Radio’s Fresh Air of a priest, John Dominic Crossan, who had left the priesthood and is now an author and professor. He commented that the church teaches priests to think but often doesn’t want to hear what they have to say after they have received their education.

University of Creation Spirituality & Cosmic Mass

In 1996, Matthew Fox published the book Confessions, The Making of a Post-Denominational Priest, an autobiography from which I got most of this information on his life’s story. At the beginning he says he tells his story to assist others who find themselves either passing from religion to spirituality or trying to integrate spirituality back into religion (1996, 1). After expulsion by the Dominicans, Fox found himself to be a postmodern postdenominational priest. He became involved in a new type of worship experience, called Planetary Mass, started by young English artists, who designed worship using multi-media and dance, patterned after Rave, a popular multi-media dance phenomenon begun in England. In the years since then he brought this form of worship to Oakland, joined the Episcopal church which supported it. Difficulty with the administration at the home of ICCS pushed him to start a new school in downtown Oakland in the late 1990’s, called the University of Creation Spirituality which seems to thrive several years later and has regular Techno Cosmic Mass events (Dizzy 2001).

I can’t say that I’ve been to one this new type of ritual/Mass. One definition for Rave on the internet, explains it as:

a social event, a phenomenon of modern youth culture. In most cases a rave is a dance party in which the participants experience a sense of community and elevated consciousness through the hearing of music and the responding to music through (1) free physical motion or dance, (2) a positive change of mood, and (3) both spoken & unspoken interaction with other participants.

Although this is not an exhaustive list, it can generally be said that raves today tend to include the following dominant elements:

- a venue which may be a warehouse, open field, dance club, or other exotic location

- at least one large amplified stereo sound system

- skilled disc jockeys (DJs) who provide a continuous mix of dance oriented electronic music, usually "techno," "house," or "jungle" music

- colorful moving lights, lasers and/or strobes

- nighttime hours, usually from 10pm or 11pm until sunrise

- attendance of at least 50 people (varies widely from region to region around the world; some European cities routinely attract over 10,000. American - raves average 500 to 1,500, with exceptions)

- use of recreational drugs among a percentage of the participants (varies widely from rave to rave; some raves are substance-free)

- non-use of alcohol (varies from rave to rave)
- vending of non-alcoholic "smart drinks", t-shirts, and DJ mix tapes

- retro and "little kid" fashions

- "chill out" areas or rooms featuring ambient music

- (DMix420 2002)

As described in a flyer/press release from the Techno Cosmic Mass:

As electronic dance music sounds, lights and images paint the wall, a mass of humanity moves rhythmically in a seeming world of their own, entranced by their senses. Eyes shut. Arms raised. They chant in primordial tones, and then break into spontaneous dance. To the uninitiated, this may seem like the underground, Ecstasy-fueled world of a Rave. The difference, is that along with young people, there are also baby boomers and grandparents. And, drugs are nowhere to be found.

Welcome to the newest form of worship, now catching on in America. The Techno Cosmic Mass is the creation of Reverend Matthew Fox, one of the world’s most published, scholarly theologians. His techno Cosmic Masses have stirred recent interest from media across the world. A mystical blend of ritual, dance and ceremony, the Masses combine the sweaty appeal of Raves with connections to just about every major religion. Hindu hymns are changed along with Hebrew prayers. A young African American man raps, while a sitar player sits cross-legged in a corner. Once a month, some 400 people line up to attend the Mass, which is given in a former Big Band ballroom in a struggling neighborhood in Oakland, CA.

(University of Creation Spirituality, 2003 flyer)

The themes for each event varies. One at Thanksgiving has a Native American theme, as well as Our Lady of Guadalupe, and the announcement says there will be a DJ, live music, dance, spoken word and ritual theatre.

The Cosmic Mass has been a way for Matthew Fox to continue to make spirituality relevant to young people, and though I am open to experiencing a Techno Cosmic Mass some day to have a better opinion about it, I identify more with his earlier work, which I think is most relevant and inspiring, especially for those still involved with their family’s traditions. I am as aware as ever of my own heritage, as well as the distinct heritage of others and where they blur. What calls me is to dialogue about the issues and what they mean. I don’t believe in ritual for ritual’s sake. I prefer simpler rituals for communing with people and nature, with limited technology that feature the health and safety of earth ‘s natural life processes as well as peaceful human relations as ideals to strive for. I have enjoyed some of the rituals led by Starhawk with a focus on the spirit in all people and in nature and I believe in Lutheran Christian teachings about love. I don’t, however, need to invoke the name of Christ in ritual to have a meaningful spiritual experience. However, I do feel revived after enduring a traditional Christian service, partly perhaps because I have gotten through it, but I think there is more than meets the eye, that for me it can be a good time for reflection and a healing experience for my emotions and spirit.

Summary of Matthew Fox’s Work

Certainly Matthew Fox’s life has been a response to changes at the cutting edge of society. How this rocking of the boat will contribute to constructive change is what future generations will show. My favorite quote from On Becoming a Musical Mystical Bear, is of E.B. White, who wrote, "I arise in the morning torn between a desire to improve (or save) the world and a desire to enjoy (or savor) the world. This makes it hard to plan the day." The spirituality that Fox teaches does encourage us to both savor and save the world (Fox 1972, 97).

A main theme developed by Matthew Fox is the Creation Spirituality versus Fall/Redemption theology. The latter focuses on salvation from sin while Creation Spirituality emphasizes the goodness of our earthly life to create more balance with concern for sin and life after death. In other words, he maintains that we are born into Original Blessing rather than Original Sin. In the section on panentheism in the Original Blessing, he described the process of moving from Fall/Redemption to Creation Spirituality as a sign of maturation (OB, 92). Often we are presented with one way to look at Christianity from mainstream sources. Fox has challenged some theological ideas and suggested other ways to understand our spirituality.

Fox transformed the dualism of Blessing vs. Sin or Positive vs. Negative by adding two new paths, Creativity and Transformation, totalling four spiritual paths, added more dimensions. Four or more directions is a spiritual concept used by many indigenous peoples. Four points can hold a circle in place much better than two. The circle is an ancient universal spiritual symbol.

Fox took the theme of mysticism and contemplation and developed parallel concepts of spirituality and compassion. He developed art as meditation to relate to the spirituality of ongoing creativity as a process. He responded to the trend of younger generations toward Eastern spirituality by bringing to the West’s attention, many Christian mystics who emphasized spirituality, including the Beguines, Meister Eckhart and Hildegard of Bingen. He emphasized realized eschatology, that the Kingdom of God is a process that is happening now, not just something to wait for at some end of time after death. He questioned the established concept of Christian religion and didn’t get away with it completely, as far as his Catholic Church "fathers" and Dominican "brothers" were concerned. However, he responded to lay people and gave faith and trust to lay spiritual movements. He could not interact with the religion handed him and live in the world without trying to make it relevant to himself and his contemporaries and those that follow. He has tried to make the world more meaningful and to bring the Kingdom closer to us on Earth, the path of a true mystic, as I have come to understand.


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